Gallery, 2008 – Archive of Oil Paintings

Gallery, 2008 – Archive of Oil Paintings

The 2008 archive showcases Igor Shulman’s original oils and watercolors in Realism, Impressionism, Expressionism, and Modern Figurative styles. Intimate portraits, expressive figures and refined compositions reveal the artist’s evolving mastery and artistic vision.

2008 Archive of Original Oil Paintings

Browse the 2008 collection of original paintings. These works highlight Shulman’s exploration of mood, gesture, and light, offering a glimpse into the artist’s creative process and the diversity of his artistic language that year.

Shop Available 2008 Oil Paintings

View available oil paintings in the catalogue

This intimate portrait captures a close-up side view of Monica Bellucci with her eyes gently closed, conveying a peaceful and reflective mood. Her warm ochre-toned skin and flowing dark hair contrast softly against the textured off-white background. The large gold hoop earrings and the delicate gesture of her hand near her neck add elegance and tenderness to the composition. The painting’s limited palette and soft lighting create a quiet stillness, emphasizing the subject’s calm presence and introspective moment.
Monica Bellucci, Oil on Canvas, Portrait
Contemporary Realism
27.6 x 39.4 in / 70 x 100 cm
Young woman with long auburn hair kneeling on a light floor, wearing a black sleeveless top and light skirt, gazing seriously at the viewer.
Crafty – Oil on Canvas
Realism
39.4 x 39.4 in / 100 x 100 cm
Young girl with blonde braids and red ribbons, wearing a dark hooded coat and striped skirt, standing in a muted, blurry landscape.
8 Marth, Oil on Canvas
Realism, Impressionism
39.4 x 39.4 in / 100 x 100 cm
Woman walking away on a calm beach carrying a pale umbrella, with her reflection visible in wet sand under a soft, cloudy sky.
Urmala, Oil on Canvas
Realism, Impressionism
31.5 x 31.5 in / 80 x 80 cm
Woman reclining in a crimson dress holding a vintage yellow rotary phone, with a golden mask at her feet against a muted interior background.
Telephone Conversation, Oil on Canvas
Realism
35.4 x 47.2 in / 90 x 120 cm
Young woman seated holding a wine glass against a dark brown background in an expressive watercolor painting.
Akt 62 (Woman and wine), Watercolor on Paper
Expressive Realism
Seated woman wearing a sheer red shawl, holding a cigarette and a drink, portrayed in an expressive watercolor painting.
Woman and Absent, Watercolor on Paper
Expressive Realism
Painting of a young woman with windblown blonde hair, dressed in a black leather jacket, sitting pensively beside a bottle of absinthe and a glass, on a plain white background
Untitled (Quiet Absinthe)
Melancholic woman with long dark hair sitting at a table with a black raven nearby, surrounded by glassware and a plate.
The Absinth, Oil on Canvas
Realism, Expressionism
39.4 x 39.4 in / 100 x 100 cm
Young girl seen from behind wearing a red polka-dot dress, standing against a dark, blurred background suggesting a shadowy wooded area.
Childhood, Watercolor on Paper
Realism
27.56 x 27.56 in / 70 x 70 cm
Young girl with dark hair standing barefoot in a corner, wearing a pale coat, surrounded by warm ochre and beige textured walls.
Umbrage, Oil on Canvas
Realism
39.4 x 39.4 in / 100 x 100 cm
Female ballet dancer in dark leotard and pointe shoes, arching back with hands clasped overhead, set against a dark, textured background.
Dances Final, 2008 – Oil on Canvas
Impressionism, Expressionism
39.4 x 39.4 in / 100 x 100 cm
Lone woman in a long dark dress with flowing blonde hair standing in a golden field, her dress and hair billowing in the wind under a cloudy sky.
Dancing in the Fields, Oil on Canvas
Impressionism, Expressionism
35.4 x 47.2 in / 90 x 120 cm
Young ballerina with short platinum blonde hair in an off-white leotard and flowing skirt, posed contemplatively against an abstract smoky background.
White Swan (also known as Ballet), Oil on Canvas
Expressive Impressionism, Modern Figurative
39.37 x 39.37 in / 100 x 100 cm
Lone female figure seen from behind, wearing a flowing light skirt and dark top, standing in a shadowy, ambiguous space with a reflection beneath her.
Ballet 2 (Start), Oil on Canvas
Modern Figurative
47.24 x 35.43 in / 120 x 90 cm
Ballerina with dark hair and warm-toned skin in a pale lilac tutu, turned slightly away from the viewer in a contemplative pose against a warm, earthy background.
Modesty, Oil on Canvas
Expressive Realism
39.4 x 39.4 in / 100 x 100 cm
Woman with shoulder-length blonde hair and dark-rimmed glasses sitting alone on a dark sofa in a dimly lit room, hugging herself.
Lariska, Oil on Canvas
Realism
27.56 x 39.37 in / 70 x 100 cm
Igor Shulman Artwork / 2008 year Album / Kleopatra - 90x120 sm
Kleopatra
47.24 x 35.43 in / 120 x 90 cm
A similar painting After Party #77. Nataly in Red IN STOCK
Also, this painting is added to Erotic collection #2
Painting-Akt-49-(2008)-39.37 W x 39.37 H in / 100 x 100 cm
Akt 49
39.37 W x 39.37 H in / 100 x 100 cm
A similar painting Nude #632 OUT OF STOCK
Also, watch a video review on a SUZANNA POSING painting from a very happy customer
Painting of a nude woman lying on her stomach on white bedding, her warm peachy skin softly lit against a pale, airy background
Untitled (Quiet Repose)
Igor Shulman Artwork / 2008 year Album / Morning SMS - 27.56 W x 39.37 H in / 70 x 100 cm
Morning SMS
27.56 W x 39.37 H in / 70 x 100 cm
Ruth Size: 72x117cm Igor Shulman Artist
Ruth
46 W x 28.35 H in / 117 x 72 cm
Sold Lot #565 on Auction: mutualart.com
Igor Shulman AFTER PARTY 18, dated 2008 oil on canvas laid on board Painting length image 98cm x 99cm frame 112cm x 113cm Signed
After Party 18
38.58 W x 38.98 H in / 98 x 99 cm
Lot #335 on Auction: mutualart.com
Igor Shulman Artwork / 2008 year Album / Secretary №1- 39.4 W x 39.4 H in / 100 x 100 cm
Secretary №1
39.4 W x 39.4 H in / 100 x 100 cm
Igor Shulman Artwork / 2008 year Album / Shame- 39.4 W x 39.4 H in / 100 x 100 cm
Shame
39.4 W x 39.4 H in / 100 x 100 cm
Early Autumn Igor Shulman
Early Autumn
Igor Shulman Artwork / 2008 year Album / Emigration
Emigration
See a sketch for this project – By the Sea OUT OF STOCK
Igor Shulman Artwork / 2008 year Album / Emigration 1920 - 63 W x 47.24 H in / 160 x 120 cm
Emigration 1920
63 W x 47.24 H in / 160 x 120 cm
Igor Shulman Artwork / 2008 year Album / Emigration 1989 - 63 W x 47.24 H in / 160 x 120 cm
Emigration 1989
63 W x 47.24 H in / 160 x 120 cm
Igor Shulman Artwork / 2008 year Album / Aunt Raya- 27.6 W x 39.4 H in / 70 x 100 cm
Aunt Raya
27.6 W x 39.4 H in / 70 x 100 cm
Painting of a solitary woman seen from behind, silhouetted against a calm lake and a soft sky of pale browns and creams at sunrise
Untitled (Clear Morning)

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Original oil painting After Ball by Igor Shulman, solitary woman in flowing white dress, contemplative mood.ℹ
Subject: People and Portraits, Women
Style: Impressionistic
Themes: Contemplation, Solitude, Introspection, Woman, Cat, White Dress, Flowing Gown, Reflection, Emotional Depth, Vulnerability, Private Moment, Quiet Solitude, Melancholy, Grace, Ethereal, Soft Lighting, Painterly, Impressionism, Inner Life, Stillness, Thoughtfulness

After Ball

35.43 H x 47.24 W x 1.97″ x / 90 H x 120 W x 5 cm
Master copy titled After Party II created in 2016 and Christine, 2010
In After Ball (2008), Igor Shulman captures a solitary woman in a moment of quiet reflection. She is dressed in a flowing white gown, its voluminous folds cascading softly around her, partially concealing a darker bodice with subtle lace details. Her reddish-brown hair is styled up, though partially obscured by shadow, and her head is bowed slightly, conveying introspection and a gentle vulnerability. The warm tones of her skin contrast with the muted, nearly monochromatic background, focusing the viewer’s attention on her form and emotional presence. The background is abstract and minimal, composed of soft greys, muted browns, and hints of blue, allowing the figure to emerge from an indistinct space. Light falls gently across the woman, highlighting the delicate textures of her dress and the contours of her figure. Shadows are used subtly to create depth, enhancing the painting’s mood of quiet solitude. Shulman employs an Impressionistic approach, blending realism in the figure with painterly, expressive brushstrokes in the dress and background. The brushwork remains visible yet soft, creating fluid transitions and an ethereal quality. The interplay of light and color draws the viewer into the internal world of the subject, emphasizing mood over detailed narrative. The painting evokes introspection, serenity, and a touch of melancholy. Symbolically, the white gown suggests purity or surrender, while the bowed head and solitary pose emphasize reflection and emotional weight. After Ball invites viewers to witness a private, contemplative moment, highlighting the fragility and depth of human emotion. This original oil painting by Igor Shulman blends impressionistic sensitivity with figurative elegance.
Original oil painting The October by Igor Shulman, woman observing cranes in snowy landscape, figurative style.ℹ
Subject: People and Portraits, Women, Landscapes, Sea and Sky
Style: Impressionistic, Realism
Themes: Contemplation, Solitude, Introspection, Woman, Cranes, Flight, Winter Landscape, Snow, Reflection, Freedom, Passage of Time, Melancholy, Stillness, Observation, Emotional Depth, Connection with Nature, Thoughtfulness, Serene Landscape, Quietude, Private Moment

The October

35.43 H x 47.24 W x 1.97″ x / 90 H x 120 W x 5 cm
Similar to Winter Morning, 2010
In The October (2008), Igor Shulman captures a contemplative moment as a young woman observes a flock of migratory cranes across a winter landscape. Positioned slightly off-center, the woman wears a dark, short-sleeved dress with a modest v-neck and a thin belt, her auburn hair pulled back neatly. Her hand rests on a low railing, her gaze following the cranes with quiet attention. Her posture is relaxed yet pensive, and her expression carries a subtle melancholy, inviting viewers into her private reflection. The background depicts a flat, snow-covered expanse stretching toward a distant line of muted trees. The cranes are rendered in soft greyish-brown tones, their wings frozen in mid-flight, emphasizing movement against the serene stillness of the winter landscape. The pale, subdued sky and smooth, blended textures create a sense of calm and tranquility. The contrast between the woman’s dark dress and the bright, snowy ground reinforces her presence as the central focus while connecting her visually to the expansive scene. Shulman blends realism and impressionistic approaches. The figure is anatomically precise and detailed, while the cranes and distant trees are more gestural, with expressive brushstrokes suggesting motion and atmosphere. Soft, diffused light enhances the peaceful mood, casting no harsh shadows, and emphasizing tonal variations in the snow, trees, and clothing. The painting evokes reflection, introspection, and a sense of yearning. The migrating cranes symbolize freedom, travel, and the passage of time, while the woman’s contemplative stance emphasizes connection with nature and the transient beauty of life. The October is an original oil painting by Igor Shulman that meditates on solitude, longing, and the quiet moments that frame human experience.
Impressionistic oil painting Untitled (The Ballet: Quiet Preparation) by Igor Shulman, woman tying hair, intimate moment.ℹ
Subject: People and Portraits, Women
Style: Impressionistic
Themes: Contemplation, Introspection, Private Moment, Ballet, Female Form, Figure Study, Light and Shadow, Subtle Gesture, Serene, Thoughtful, Feminine, Quiet, Graceful, Painterly, Atmospheric, Expression, Warm Skin, Loose Brushwork

Untitled (The Ballet: Quiet Preparation)

In this original oil painting by Igor Shulman, a young woman is seen from behind, her arms raised as she gathers her hair into a ponytail. The pose captures a quiet, private moment, the gentle arch of her back and the soft folds of her slip suggesting ease and natural grace. Warm tones illuminate her skin, emphasizing the subtle play of light across her shoulders and arms. The background is kept deliberately ambiguous, composed of dark grays and muted browns rendered in expressive brushstrokes. This contrast draws the eye to the figure while creating a sense of intimacy and stillness within the space. The loose, painterly technique blurs the boundary between figure and environment, giving the composition a fluid, contemplative quality. Shulman’s approach combines realism in the figure’s anatomy with impressionistic touches in the background, allowing light and shadow to define form while leaving room for atmospheric nuance. The brushwork is visible yet controlled, providing texture and movement without overwhelming the subject. The mood is introspective and calm, a moment of preparation or self-reflection, emphasizing the private, unobserved aspects of daily life. The figure’s back-turned pose suggests both modesty and focus, inviting the viewer to consider the quiet dignity of this solitary gesture. The interplay of light, color, and subtle detail reflects themes of feminine presence, privacy, and the understated beauty of simple acts. This artwork illustrates Shulman’s skill in balancing figurative realism with expressive brushwork, capturing a transient moment with thoughtfulness and sensitivity.
Impressionistic oil painting Untitled (Ballerina) by Igor Shulman, ballerina in quiet reflection, warm tones.ℹ
Subject: People and Portraits, Women
Style: Impressionistic
Themes: Ballerina, Contemplation, Reflection, Artistic Dedication, Pointe Shoes, Female Form, Introspection, Solitude, Emotional Depth, Dance, Tutu, Warm Skin, Painterly Brushwork, Quiet Moment, Vulnerability, Figurative Style, Realism, Soft Lighting

Untitled (Ballerina)

In this original oil painting by Igor Shulman, a ballerina is captured in a quiet moment of contemplation. Seen in profile, her dark hair is neatly tied into a bun, and her expression is pensive, reflecting the emotional weight of dedication and discipline. She holds a pointe shoe in her hands, a subtle reminder of the artistry and precision inherent to her craft. The white tutu contrasts with her warm skin tones, rendered in gentle oranges and browns, creating a soft interplay between figure and surrounding space. The setting is minimal, with a largely white background that emphasizes the ballerina’s presence. Light is diffused, casting soft illumination across her form and enhancing the textures created by the artist’s expressive brushwork. The simplicity of the environment draws attention to both the physical elegance of the dancer and the quiet introspection of the moment. Shulman’s style balances realism with impressionistic touches, capturing anatomical accuracy while allowing brushstrokes to convey emotion and movement. The painterly surface gives a tactile sense to the tutu and leotard, as well as subtle shifts in light and shadow. The mood is contemplative, intimate, and slightly melancholic, reflecting the solitude often accompanying artistic practice. The painting explores themes of dedication, reflection, and the emotional nuances of creative life. The ballerina’s pose and the presence of her pointe shoes speak to the discipline and vulnerability of performance, offering a glimpse into the private interior world of an artist in preparation.

Some archived artworks may be available as prints upon request. Learn more.