Gallery, 2007 – Archive of Oil Paintings
A curated selection of Igor Shulman’s original oil paintings from 2007, showcasing figurative and realism masterpieces.
2007 Archive of Original Oil Paintings
This collection presents the diversity of Igor Shulman’s work in 2007, featuring both sold and available pieces in original oil.
Browse All Available Oil Paintings
View the full oil paintings catalogue
47.24 W x 35.43 H in / 120 x 90 cm
35.43 W x 47.24 H in / 90 x 120 cm
19.69 W x 27.56 H in / 50 x 70 cm
27.56 W x 39.37 H in / 70 x 100 cm
27.56 W x 39.37 H in / 70 x 100 cm
27.56 W x 27.56 H in / 70 x 70 cm
39.37 W x 39.37 H in / 100 x 100 cm
35.43 W x 47.24 H in / 90 x 120 cm
27.56 W x 39.37 H in / 70 x 100 cm
27.56 W x 39.37 H in / 70 x 100 cm
27.56 W x 27.56 H in / 70 x 70 cm
35.43 W x 47.24 H in / 90 x 120 cm
23.62 W x 70.87 H in / 60 x 180 cm
Read more about where this painting is located now. Some pictures…
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Untitled (The Ballet)
This original oil painting presents a solitary woman seated with quiet dignity, captured in a moment of introspection. The main subject is a dark-haired woman, her hair styled in a soft updo, dressed in a flowing black gown with subtle maroon drapery. Her hands rest gently in her lap, and her posture conveys both calm and contemplation. Her facial expression is delicate, hinting at inner thought or gentle melancholy, suggesting a private emotional world.
The setting is minimal, composed of a light gray-white background with soft, textured brushstrokes. The neutral tones allow the figure to remain the central focus while evoking a serene, almost ethereal atmosphere. Light is diffused across the canvas, casting soft highlights and subtle shadows that enhance the three-dimensionality of the form without creating harsh contrast.
Shulman employs a figurative style with impressionistic touches. The brushwork is expressive and fluid, capturing the form and mood rather than precise, photorealistic detail. The texture of the gown is suggested through layered strokes, conveying a sense of movement and the delicate quality of fabric.
The mood is contemplative, introspective, and quietly somber. There is a sense of solitude, with an emotional depth that invites reflection on the inner life of the subject. The black gown may symbolize mystery, sophistication, or the weight of thought, while the neutral background emphasizes the woman’s isolation and inner focus. The painting subtly explores themes of female introspection, emotional complexity, and the beauty of quiet reflection.
Untitled (Whispered Solitude)
39.37 H x 39.37 W x 1.97″ x / 100 H x 100 W x 5 cm
Untitled (Whispered Solitude) by Igor Shulman presents a quiet, intimate moment between a young woman and a rooster. The woman, seated at a small round table, wears a pale yellow dress that drapes gently over her form. Her dark hair is pulled back, and her expression is thoughtful, almost melancholic. Her warm, earthy skin tones contrast softly with the lighter areas of her dress, creating a gentle focus on her figure.
The rooster stands nearby, its reddish-brown plumage detailed and alert, providing a subtle counterpoint to the stillness of the woman. The table between them acts as a visual anchor, connecting the two figures in a silent, almost narrative interaction.
The background is muted, dominated by dark browns and blacks, suggesting a dimly lit indoor space. Soft, diffused light illuminates the woman and the rooster, while the textures of the surroundings remain implied rather than overtly detailed. This creates a controlled, contemplative atmosphere that emphasizes stillness and introspection.
Shulman’s technique combines realism with touches of Impressionism. Visible brushstrokes lend texture to the background, while the woman’s form is rendered with careful attention to light and volume. The soft, earthy palette reinforces the mood of quiet contemplation, while the interplay of light and shadow gives the painting depth.
The overall mood is introspective and subdued. The juxtaposition of the pensive woman and the vigilant rooster invites reflection on solitude, inner life, and the unexpected contrasts within daily existence. The painting explores themes of isolation, contemplation, and the complex relationship between humanity and nature.
Untitled (Red Ascendancy)
The painting captures a woman in mid-stride, her flowing red dress swirling around her, embodying movement and energy. Positioned slightly off-center, she gazes forward with an expression that balances strength and quiet melancholy. Her dark hair, slightly windblown, reinforces the sense of motion, while the red dress dominates the canvas, its folds and wrinkles painted with bold, expressive strokes. The dress seems to extend her persona, symbolizing freedom, emotion, and confidence.
The background is muted and indistinct, with gray and beige tones suggesting a vast, open landscape. Its rough texture contrasts with the fluidity of the dress, emphasizing the figure’s dynamism. Soft, diffused light washes over the scene, enhancing the sense of movement and open space.
Shulman’s style combines expressive and impressionistic techniques. Visible brushstrokes convey motion and energy, while the blending of rich, bold colors allows for subtle transitions. The figure is recognizable, yet not meticulously detailed, creating a balance between realism and abstraction that prioritizes mood over precision.
The painting evokes feelings of liberation, vitality, and quiet intensity. The woman’s posture and forward gaze suggest determination and exploration, while the swirling dress embodies passion and emotional force. Symbolically, the red garment represents energy, power, and freedom, and the expansive, neutral background hints at possibilities and openness. The piece captures a fleeting moment of movement and inner strength, celebrating feminine dynamism and presence.
Some archived artworks may be available as prints upon request. Learn more.